• Ireland and Biafra: hunger, history, politics and public opinion 

  Bateman, Fiona (Cambria Press, 2012)

  [No abstract available]

• “If Irish cinema is going to be really great it has to stop worrying too much about being ‘Irish cinema’”: Q & A with Lenny Abrahamson and Mark O’Halloran 

  Crosson, Seán; Schreiber, Mark (Braumüller, 2011)

  [No abstract available]

• Irish intolerance: exploring its roots in Irish cinema 

  Crosson, Seán (Braumüller, 2011)

  [No abstract available]

• An Irish Missionary in India: Thomas Gavan Duffy and the Catechist of Kil-Arni 

  Bateman, Fiona (Irish Academic Press, 2006)

  [No abstract available]

• "Ar son an Naisiuin": The National Film Institute of Ireland's All-Ireland Films 

  Crosson, Seán (Irish-American Cultural Institute, 2013)

  [No abstract available]

• Reimagining an Irish City: I am Belfast 

  Crosson, Seán (Asociación Española de Estudios Irlandeses, Spanish Association for Irish Studies (AEDEI), 2017-03)

  An early shot in Mark Cousin's I am Belfast lingers on a very unusual and unexpected landscape, what appears to be an icy vista reflected in water, with clouds drifting by in the distance. Where s this our narrator asks. ...

• Defining the heathen Irish and the pagan African: two similar discourses a century apart 

  Bateman, Fiona (2008)

  This article looks at two different missionary projects separated by space and time: British Protestant missions to Ireland in the mid-nineteenth century; and Irish Roman Catholic missions to Africa in the 1920 and 1930s. ...

• "The Given Note": traditional music and modern Irish poetry 

  Crosson, Seán (Cambridge Scholars Publishing, 2008)

• Sport and the 1916 Rising 

  Crosson, Seán (Teagasc, 2016)

  This chapter considers the role of sport in the lives of participants in the 1916 Easter Rising.

• Exploring European sporting identities: history, theory, methodology , 

  Crosson, Seán; Dine, Philip (Peter Lang, 2010)

  [No abstract available]

• 1916 and Irish literature, culture and society: an introduction 

  Crosson, Seán (Wissenschaftlicher Verlag Trier, 2015)

  [No abstract available]

• The Quiet Man and Beyond: An Introduction 

  Crosson, Seán (Liffey Press, 2009)

  [No abstract available]

• ‘Introduction’ In: Crisis and Contemporary Poetry 

  Karhio, Anne; Crosson, Seán; Armstrong, Charles I. (Palgrave, 2011)

  This collection of essays addresses poetic and critical responses to the various crises encountered by contemporary writers and our society. The essays included discuss a range of issues from the holocaust, the Troubles ...

• Horror, hurling, and Bertie: aspects of contemporary Irish horror cinema 

  Crosson, Seán (University of Waterloo, Department of Fine Arts (Film Studies), 2012)

  THIS GRAFFITI image(1) appeared in Dublin's Ranelagh district in June 2009. In its representation of a dejected looking Bertie Aherne combined with the distinctive and unmistakable markings of a particular animal, it ...

• From Babe Ruth to Michael Jordan: Affirming the American Dream via the Sports/Film Star 

  Crosson, Seán (University of Waterloo, Department of Fine Arts (Film Studies), 2014)

  In the United States, sport stars have provided crucial affirmation of the American Dream ideology despite the considerable evidence that questions the validity and appropriateness of this belief for understandings of ...

• “For the honour of old Knock-na-gow I must win”: Representing Sport in Knocknagow (1918) 

  Crosson, Seán (2012)

  Knocknagow (1918) has a special significance for followers of sport in Ireland.[1] Most immediately, it contains one of the earliest surviving depictions of hurling on film—and hurling’s earliest depiction in a fiction ...

• Configuring Irishness through coaching films: Peil (1962) and Christy Ring (1964) 

  Crosson, Seán (Taylor & Francis, 2016-07-12)

  The sports coaching film has a long history, dating from at least 1932 with the production of Paulette McDonagh s How I Play Cricket which featured the legendary Don Bradman. However, coaching films dedicated to indigenous ...

• Shillalah Swing Time ...You'll thrill each time a wild Irishman s skull shatters : Representing Hurling in American Cinema: 1930-1960 

  Crosson, Seán (Irish Academic Press, 2009)

  [no abstract available]

• Gaelic Games and 'the Movies' 

  Crosson, Seán (Irish Academic Press, 2009)

  [No abstract available]

• Anticipating a postnationalist Ireland: representing Gaelic Games in Rocky Road to Dublin (1968) and Clash of the Ash (1987) 

  Crosson, Seán (Peter Lang, 2010)

  [No abstract available]

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