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    Author
    Stoneman, Rod (8)
    SubjectFilm studies (2)Filmmaking (2)'Control is an illusion' ¿ apocryphal feminist maxim (1)Alexander Kluge (1)Experimental film (1)... View MoreDate Issued2013 (2)2012 (1)2010 (3)2007 (1)2006 (1)TypeBook chapter (5)Article (2)Other (1)

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    The Theory of Film Practice: Thirty Years Later 

    Stoneman, Rod (Cambridge Scholars Publishing, 2013)
    Jean-Luc Godard prefaced his exhibition Voyages en utopie with the explanation that it was an intimate voyage that is permeable to the world s upheavals; it is from the tension between these two poles: autobiographical ...
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    Speaking Directly 

    Stoneman, Rod (2010)
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    Chance and Change 

    Stoneman, Rod (2010)
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    Alexander Kluge: Utopian Cinema 

    Stoneman, Rod (Rodopi, 2007-10-01)
    Alexander Kluge's films, television programmes and his other diverse activities contribute to a developed understanding of contemporary politics and culture. He took a version of creative critical theory into spheres of ...
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    Soft and Hard: Indications Intimations Implications 

    Stoneman, Rod (Editions du Centre Pompidou, 2006)
    "At a time when television was extending its bravery and its boundaries, when it offered creative space for the world¿s film-makers, when a cinema of ideas was still possible..."
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    A May Day Manifesto 

    Stoneman, Rod (2010)
    "A map of the world that does not include Utopia is not worth even glancing at..." - Oscar Wilde,The Soul of man under socialism, 1891
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    Global Interchange: The Same but Different 

    Stoneman, Rod (Palgrave Macmillan, 2013-08)
    Praxis is a productive basis for international interchange the diversity and pluralism of critical practice offers an implicit challenge to dominant models. The replication of versions of academic tunnel vision is too ...
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    Girl chewing gum: the time that cinema forgot 

    Stoneman, Rod (Intellect / Ingenta Connect, 2012-02)
    John Smith's Girl Chewing Gum was made in Hackney, East London and shown at the London Film-Makers' Co-op in 1976. Through its wit and imagination this film extended the forms of British avant-garde experimentation that ...
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