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    AuthorCrosson, Seán (5)Stoneman, Rod (2)Subject
    Film studies (7)
    Cinema (3)Babe Ruth (1)Belfast (1)Bertie Aherne (1)... View MoreDate Issued2017 (1)2014 (1)2013 (1)2012 (2)2010 (2)TypeArticle (5)Book chapter (2)

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    Reimagining an Irish City: I am Belfast 

    Crosson, Seán (Asociación Española de Estudios Irlandeses, Spanish Association for Irish Studies (AEDEI), 2017-03)
    An early shot in Mark Cousin's I am Belfast lingers on a very unusual and unexpected landscape, what appears to be an icy vista reflected in water, with clouds drifting by in the distance. Where s this our narrator asks. ...
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    Speaking Directly 

    Stoneman, Rod (2010)
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    "Ar son an Naisiuin": The National Film Institute of Ireland's All-Ireland Films 

    Crosson, Seán (Irish-American Cultural Institute, 2013)
    [No abstract available]
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    Chance and Change 

    Stoneman, Rod (2010)
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    From Babe Ruth to Michael Jordan: Affirming the American Dream via the Sports/Film Star 

    Crosson, Seán (University of Waterloo, Department of Fine Arts (Film Studies), 2014)
    In the United States, sport stars have provided crucial affirmation of the American Dream ideology despite the considerable evidence that questions the validity and appropriateness of this belief for understandings of ...
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    “For the honour of old Knock-na-gow I must win”: Representing Sport in Knocknagow (1918) 

    Crosson, Seán (2012)
    Knocknagow (1918) has a special significance for followers of sport in Ireland.[1] Most immediately, it contains one of the earliest surviving depictions of hurling on film—and hurling’s earliest depiction in a fiction ...
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    Horror, hurling, and Bertie: aspects of contemporary Irish horror cinema 

    Crosson, Seán (University of Waterloo, Department of Fine Arts (Film Studies), 2012)
    THIS GRAFFITI image(1) appeared in Dublin's Ranelagh district in June 2009. In its representation of a dejected looking Bertie Aherne combined with the distinctive and unmistakable markings of a particular animal, it ...
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